| “Scetammece…ia…iamme ia!” (Wake up…come on!” is a lively Neapolitan expression and is the title of the show is going to be performed May 22nd at the Rasi Theatre in Ravenna (10.15 a.m.):“The Mosaic Didactics on Stage”. It’s about the final manifestation of the 3rd edition of the project “The Body,the Mind,the Spirit…artistic integration for MOSAICS IN MOTION”,Videomosaic and Mosaic Poetics,which was born two years ago for the 50° anniversary of the “State Art Institute of Mosaic Gino Severini” of Ravenna with the collaboration of many local agencies and the town hall. It’s addressed to each level of schools:from kindergarden to the High school and Fine Art and Music School. Through Music,Poetry,Dance,Acting,a multidisciplinary didactic work will be represented through “The Body who Enter into Other Knowledges”:a Living Mosaic in Motion. The performance of Art and Mosaic students will be “The Musaic Link” (“Legame Musaico” Dante’s expression) between schools and the local territory,a real artistic pole,exquisite combination between reality and dream,drawn from Imagining the Imaginary Materializing it and transmuting it in New Reality:from the Mariola Carnival to the Errant Knight,from the Ravenna Monster to the Ravenna Battle,in its 500th anniversary,from the “Caterinette”,cookies,dolly and cock shaped,exclusively product by the bakers of the historical center of Ravenna for Saint Catherine of Alexandria of Egypt (25th of November is even the date chosen by the United Nations General Assembly as the international day against violence on women) to the association Pink Line to support women and children with difficulty). There will be the extraordinary participation of Annagloria a big interpreter of the International and Neapolitan song,the rhythmic gymnastics girls of the sport association Edera Ravenna and the music band Post Ether. “With the Heart” there will be even Cristina Mazzavillani Muti.
Art,in particular Mosaic,represent “le train d’union” or the “Teodora Thread” to promote an integrate didactic,but first of all integrant among the various realities which characterize our school and,as a reflex,nowadays society. I think we should go over the literal meaning of mosaic grammar,over that allegorical and tropological expressed by the mosaic representation so to research the anagocical one. To investigate the deepest meaning soaked into the typical mosaic materiality,that corporeality which connected the “meaning” to the “over meaning”,who allow us to configure the future in an eschatological perspective concerning the “problem solving” of our and others existence. To each one of us it should be given the opportunity to “Become” that Unique and Unrepeatable “Tesselae” indispensable to the construction of the Social Mosaic. Each human being has the right and the duty to Grew up identifying his/her own psychophysical and affective potentiality,in a context which stimulate the critical spirit,the responsibility assumption,both towards him/herself and towards the others,so to say each individual should acquire competences to become Mosaic Master of his/her own,deconstructing and reconstructing his/her Interior Mosaic. Italy,according to the law and pedagogical point of view,and I refer to the update law N°104 of February 5th,1992,is an example of emancipation on the international level in integration an inclusion projects about “people of different abilities”,unique in the European perspective:over 30 years,thanks to a choice of civilization of the Italian Parliament,with the insertion/integration/inclusion of students in difficulties (“disabled/differently skillful”) in the public school,the sensibility and knowledge among students and teachers have increased. A way,the Italian one,which has solicited the educational process,as well as the formative one,contributing to improve the idea of the importance of the sense of belonging of Each One of Us into the social tissue…because “All of Us are necessary and there is the need even of You!”. The cognitive,the emotional,the bodily,integrated together develop welfare,an ideal condition even for a learning of quality and healthy cooperation. Nowadays “we don’t have much time”,everything crushes till to smash themselves and the others:haven’t we,perhaps,given our contribute to “liquefy” even more our society? The youths,and the less youths,is increasingly catalyzed out of themselves,sucked by the images,by sounds,by noises,by smells,by tastes…sucked by vacuous hedonism and aestheticism,by egoism,by careerism,by the individual interest only,that too often,annihilates the efforts of those who have dedicate their own life to build up something suitable for becoming a collective commodity…something strong and durable such as an Incorruptible Stones Mosaic! Drastic loss of individual and collective identity:Where to retrace the essence of once own personality? As teachers,as educators,as parents,as “Human Beings”,as Mosaic Master…which kind of identity do we think to “administer to our young people”,the future of our society? Where the honest and transparent interaction between Master and Learner? I recall into my mind the words of the Master Gino Severini so lively even today: “The mosaic worker can’t rely on the chance or on the automatism. For his/her work everything must be thought and prepared ahead…the tools used…don’t serve him/her to realized the work,but only to provide a material support… they are lapidarius structore they stay to the plastic and poetical opus realized as the exercise at the “bar” fits to dance,or the arpeggios to music. One day perhaps even them (mosaic workers) will dance and will make music;they will become then pictor imaginarius. But we will need before to readmit “the existential world of things”,to identify with it and love it!” As never as today there is the necessity to readmit the existential world of the multiple realities,diversities,identifying us with them and loving them with honesty of intents and collaborations:for this “wake up…come on!”,come on together over the provincialism,in a very international Spirit. An awakening lo Love,to Simplicity,to Spontaneity,to Respect,to Dialogue,to Justice…Spread Stones,but that,if we pay attention and are able to “look at” we perceive by intuition deeply inside us and into scandalized and disappointed eyes of those who have been offended for their “Diversity”. Which are,after all,the columns that hold up the Excellences of Real Professionalism? There it wants professionalism into the Art of knowing how to live and of that of being able to live together. Don’t we engorge of Professionalism for Professionalism’s sake,of Art for Art’s sake or Mosaic for Mosaic’s sake:each shape,because it isn’t only an inflated balloon,should be the expression of a substance brimful of Love,of Life,the only ones able to transmute the Raw Material into that Beauty which is unique and unrepeatable expression of the Noblest and most Harmonious Soul Aesthetic. The All Mosaic Adventure (Tutta l’Avventura del MOsaico…TAMO…which refer to the Italian word expression “T’Amo” that means I Love You) in Ravenna,testified by the permanent mosaic exhibition at St. Nicholas,curated by RavennAntica becomes the password to enter into the New Mosaic Adventure. Each one of us is Culture…cultivate ourselves with care! Where,if not in Ravenna,as candidate for European Capital of Culture 2019,to relaunch a renewed challenge,in which Art,specifically the “Musaic” (Musaico from an old Latin expression) “New Myth for the Third Millennium”,becomes the instrument of that “Interior Music and Beauty” able to transform every apparent reality into the most natural and simple spontaneity which knows ,from the Art of knowing how to live,how to build up shining Living Mosaic in Motion toward an Original Participation of each one of us! Silvia Colizzi Ravenna,May 2012. THE SHAPES OF UNCONSCIOUS Personal exhibition of the artist Rosanna Fattorini Mosaics on Woods 
Thursday 12th April 2012 –Friday 4th May 2012 Autorità Portuale di Ravenna Via Antico Squero n.31 Vernissage on Thursday 12th April 17,30 Hours: from Monday to Thursday:9.00 / 17.00 Friday:9.00 /14.00 Saturday and Sunday:closed “The artist introduces some of her numerous works,which capture our curiosity,and this thanks to the unusual approach that combines both those forms directly generated by Mother Nature (forms the artist herself finds and chooses) and the mosaic material she utilizes in order to complete her work. The natural forms comprise wrecks made of raw,corroded material (usually,woody material or something likewise) that the artist turns into sculptures,inside which the mosaic tiles interact with the raw-natured forms,thus creating original and refined works. Rosanna’s inclination towards these particular forms is propitiated by her unconscious and they,through the mosaic artwork,turn themselves into weird and interesting sculptures. Moreover,her mosaic work – the technique to which Rosanna has always dedicated intense researches and experimentation activities – fully shows her craftsmanship.” Prof. Sergio Cicognani Sorry,this entry is only available in Italiano. 
The program of the next AIMC congress is available. The Congress will be held in Athienou (Cyprus) from 28th September to October 6th Download program 
Finally,the names of the artists who will participate in the second edition of the international festival RAVENNA MOSAICO ABD EL SALAM SAFAA AHMED AUBRY HENRY BACKER HARRIET BALDASSARRI CATERINA BARBERINI LUCA BEAUCHAMPS PASCALE BEZZI GIOVANNA BODYCOMB,SCHAEFER HELEN,RENE’ BOGDANOVA KINA BRAMBILL A MARIANNA BRANQUINHO MOEMA BRAUN JO CAROLI LUCIA DANELUTTI SILVIA ERCOLANI VALERIA ERSTE MARIJAN FARAHVASH FASHANDI NAGHMEH FATTORINI ROSANNA CaCO3 GALLI GIOVANNA GALLO ARIANNA GAZZOTTI FRANCESCA GEORGIADI THESSALONIKEOS DESPINA GOODWIN ELAINE M. GRASSO ROBERTA HIRAI TAKAKO HOLMES SAMANTHA JESSUP KATE KII TOYOHARU KOURAKOU ANTIGONE LOURO DO REGO SONYA MARISA MAGDI KENAWY MONA MANDRON CATHERINE MARVASI CARLOTTA MEDRI DAVIDE MODICA JULIAN NOTTURNI LUCIANA RICHEY JULIE SCHEIBLER RUTH MINOLA SCHOPS ALMUTH SCIANNA ENZO SHAFIR ILANA TOLIS NIKOS TRACEWSKA MATYLDA WOZNIAK WOZNIAK PHOTOGRAPHIC SECTION ACCADEMIA DI BELLE ARTI BEAUCHAMPS PASCALE BRAVURA DUSCIANA BRAVURA MARCO EID ABDEL SALAM KII TOYOHARU SERGEEV RUSLAN SIMONI ELISA TINARELLI ENZO 
Dopo il grande successo della prima edizione di Bibliomosaico,mostra ospitata anche in Francia a Paray-le-Monial nel luglio 2010,la rassegna dei libri d’artista ritorna nella stessa sede e con le stesse caratteristiche. La mostra BIBLIOMOSAICO nasce da un’idea di Rosetta Berardi nel 2009 con l’intenzione di stimolare a una riflessione sulla forma del libro,sulla rappresentazione di un oggetto “libro” che chiede di essere guardato e non letto,un libro “non libro”,un “libro oggetto”,un libro che pur avendo perduto il suo contenuto di parole ha guadagnato un suo specifico significato concettuale di opera aperta. Un esercizio di creatività che comunica attraverso la tecnica musiva la propria libera autonomia espressiva. Non si tratta del libro che diviene opera ma dell’opera che diviene o richiama il libro. Le opere,realizzate per lo spazio che le accoglie le EDIZIONI DEL GIRASOLE,saranno esposte fra i libri di carta appunto. sede espositiva: Edizioni del Girasole – via G. Pasolini 45 –Ravenna durata mostra: dall’8 ottobre al 20 novembre 2011 Artisti invitati Raniero Bittante Cécile Bouvarel Giuseppe Donnaloia Rosanna Fattorini Roberta Grasso Stephanie Jurs Toyoharn Kii Kazumi Kurihara Mélaine Lanoë Verdiano Marzi Silvia Naddeo Felice Nittolo Teresa Pollidori Salvatore Sebaste Atsuo Suzumura First International Prize GAEM - Young Artists and Mosaic The 10 Select Works Jury President:Claudio Spadon Art critic,Director of the Ravenna Art Museum Maria Rita Bentini Art critic,Coordinator of the Ravenna Academy of Fine Arts Linda Kniffitz Curator of CIDM Gian Pietro Brovedani Director of Friuli Mosaic School Lucio Orsoni Orsoni Smalti Veneziani Dusciana Bravura Artist have selected the following works: Bone flowers di Luca Barberini (Ravenna 21 agosto1981) Movimento n. 18 di CaCO3 (Âniko Ferriera Da Silva Ravenna 6 aprile 1976; Giuseppe Donnaloia Martina Franca,Taranto 27 maggio 1976; Pavlos Mavromatidis Kavala,Grecia 28 ottobre 1976) Senza Titolo di Naghmeh Farahvash Fashandi (Teheran 22 settembre 1981) Diecimila di Benedetta Galli (Perugina 17 dicembre 1976) Soft di Roberta Grasso (Torino 6 febbraio 1986) Istinto di Takako Hirai (Kumamoto,Giappone 03 maggio 1975) Unspoken 10.22.10 – XX. XX. 11 di Samantha Holmes (Carmel,New York USA 16 luglio 1984) Fall di Sonya Louro Do Rego (Johannesburg,Sudafrica 12 agosto 1977) Presenza di Sergio Policicchio (Lomas de Zamora,Buenos Aires,Argentina 20 novembre 1985) La grafica di Alice Viviani (Trieste 30 aprile 1989) Il concorso,organizzato dal Museo d’Arte della Città di Ravenna – Centro Internazionale di Documentazione sul Mosaico è patrocinato dalla Provincia di Ravenna e dalla Regione Emilia Romagna con la finalità di promuovere il mosaico contemporaneo sia nelle sue espressioni legate alla tradizione storica,sia nelle forme più innovative e sperimentali. La giuria presieduta da Claudio Spadoni,direttore del MAR,e con Linda Kniffitz,curatore del CIDM,Maria Rita Bentini,coordinatrice Accademia di Belle Arti di Ravenna,Gian Pietro Brovedani,direttore del Consorzio per la Scuola dei Mosaicisti del Friuli;Lucio Orsoni,della Orsoni Smalti Veneziani;Dusciana Bravura,artista,ha selezionato 10 opere,fra le 61 presentate,realizzate da giovani artisti provenienti da tutto il mondo. Le opere saranno esposte in una Mostra collettiva presso il Museo d’Arte della Città di Ravenna,in occasione del Festival Internazionale del Mosaico Contemporaneo,dall’8 ottobre al 20 novembre 2011,e verranno pubblicate in un catalogo. Prima del termine della Mostra la giuria assegnerà due premi:uno di 2.000 euro in materiali musivi,offerto dalla Orsoni Smalti Veneziani per un’opera in mosaico tradizionale, e uno in denaro,sempre di 2.000 euro,offerto dalla Banca Popolare di Ravenna,per un’opera non convenzionale per tecnica e uso dei materiali,ma conforme alle logiche costitutive e poetiche del linguaggio musivo. 
After the success achieved in the first edition held in 2009,two years after Ravenna promote the second edition of the international festival of contemporary mosaic RavennaMosaico due on 2011 from 8th October to the 20th November. RavennaMosaico presents itself as a showcase of the best contemporary productions and offers thoughts on the vocation of the city,in the light of the candidature of Ravenna as European Capital of Culture for 2019. The event will involve the entire city and cultural institutions in a program dedicated to the contemporary mosaic,proposing in the most beautiful places of the historical center,exhibitions of artists from around the world,urban installations,performances,concerts,conferences,workshops,meetings, and guided tours. SERGIO CICOGNANI IL TEMPO SOSPESO a cura di Felice Nittolo Inaugurazione Sabato 21 maggio Ore 17.30 Galleria Il Coccio Ore 18.30 NiArt Gallery 
Dal 21 maggio al 11 giugno 2011 catalogo in mostra NiArt Gallery Via Anastagi 4a/6 48121 Ravenna www.felicenittolo.it info 3382791174 martedì,mercoledì e sabato >11.00 –12.30 giovedì,venerdì e sabato >17.00 – 19.00 lunedì e festivi >chiuso Galleria il Coccio Via Agnello,6 48100 Ravenna info 0544 34269 lunedì,martedì,mercoledì,venerdì,sabato >10.30 -12.30 / 17.30 –19.30 giovedì >10.30 -12.30 giovedì pomeriggio,domenica >chiuso SERGIO CICOGNANI il tempo sospeso (estratto dal catalogo) di Felice Nittolo L’associazione Culturale niArt Gallery,continua l’indagine e l’approfondimento su quei maestri mosaicisti che sin dal dopoguerra hanno contribuito alla conoscenza e rinascita del mosaico ravennate. Felice Nittolo dopo aver curato le pubblicazioni e le mostre di maestri come Ines Morigi Berti,Antonio Rocchi,Lino Melano,Romolo Papa,Alessandro Azzaroni e Renato e Carlo Signorini,questa volta si occupa dell’operato di Sergio Cicognani con la pubblicazione di un catalogo e l’allestimento di due mostre,una presso la galleria il Coccio in via A. Agnello e l’altra presso la sede della niArt in via Anastagi a Ravenna. Nato a Ravenna nel 1927,ha frequentato l’Accademia di Belle Arti di Ravenna con Teodoro Orselli. Entrato nel 1948 al Gruppo Mosaicisti dell’Accademia di Belle Arti,Cicognani ha partecipato ai cicli di restauro delle basiliche ravennati. Dal dopoguerra in poi con il Gruppo Mosaicisti ha realizzato tre grandi mostre:copie dei mosaici antichi,mosaici danteschi,mosaici moderni,questi ultimi su cartone di famosi artisti contemporanei nazionali e internazionali,quali Georges Mathieu,Gino Severini,Renato Guttuso,Bruno Saetti,Ernesto Treccani,Carlo Mattioli,Tono Zancanaro e Oskar Kokoschka. Sin dal 1948 Cicognani si è imposto all’attenzione del pubblico non solo come mosaicista ma anche come pittore. La formazione pittorica di Sergio Cicognani parte dall’insegnamento di Orselli e si evolve attraverso lo studio di Cezanne e quello di tutte le correnti pittoriche moderne dall’impressionismo al Cubismo. La sua ricerca mette in evidenza il tentativo di liberarsi di una cultura provinciale per mirare alla genuinità del linguaggio e alla vitalità dell’opera. “Alla luce della mia ricerca -afferma Cicognani- il contatto con i pittori cartonisti per il mosaico è stato di notevole importanza,in particolare,quello con Bruno Saetti e con Oskar Kokoschka,per il quale ho realizzato due pannelli musivi destinati alla chiesa di St. Nikolai di Amburgo in Germania”. Per Cicognani esiste una grande relazione fra la pittura murale (affresco) e il mosaico e nelle sue pitture tenta di ricreare questo connubio,evidente anche nell’uso del colore,per cui nella tavolozza sono presenti i pigmenti puri che sono sempre stati usati per l’affresco. | |